September Bluffs

September holds both the Driftless Area Art Festival, and the Plein Air Between the Bluffs painting event - both celebrating the beauty and art of the region. It seems fitting then that many of my paintings this month have been especially focused on the bluffs and valleys of this corner of the Driftless Region. Here are some of my September oil paintings:

A Change in the Air, 9 x 12" plein air oil on linen/hardboard. September 4th. sold

 This first one was painted in Alma, Wisconsin. The trees near the water already showing their fading greens and hints of fall color. The weather that afternoon cycled through soft sunshine, rain, and gusts of wind. It was beautiful.

Evening on the Ridge, 8 x 10" plein air oil on linen/birch. September 8th.

 This little bluff and river painting was the first I did for the Between the Bluffs event, which is centered in La Crosse, Wisconsin. This was done across the Mississippi river on the Minnesota side, as evening fell.

Worn Wood and Sunshine, 10 x 12" plein air oil on linen/birch. September 12th.

As part of the La Crosse event, I agreed to be one of the demonstrating artists - doing one painting at a set time and place for anyone who cared to watch. I'd not done this before, and frankly it can be a bit intimidating having people watch as the painting comes together! But it was fun; thanks to everyone who stopped over as I painted this beauty of an old barn.

Then I had to take a break from painting for a bit as I finished up all the little and big things that go into preparing for an art fair. The Driftless Area Art Fair is a gem. Thank you to everyone who stopped by and made it so special!

My booth at the Driftless Festival, day 1.

 Then it was back to painting for the last few days of the Between the Bluffs event:

Shadows on the Bluffs, 8 x 16" plein air oil on linen/hardboard. September 19th.

A hot September afternoon, watching the shadows from the clouds drift across the bluffs, and the breeze blow the willows and leaves on the small poplars that grow in the marshy lowland. (I was so happy to receive the "Spirit of La Crosse" award on this piece from judge Scott Lloyd Anderson at the opening reception!)

Down in the Valley, 8 x 10" oil on linen/birch. September 19th and 20th.

I began this painting the same night, but it was late. I liked that color on the bluffs that were lit by the setting sun, but I just didn't have the time to get the painting to where I wanted it to be. The following night I returned to the same spot and refined it a little bit more.

Afternoon in the Woods, 9 x 12" oil on linen/birch. September 20th. sold

It was warm down in the woods and damp too, despite the dry weather. I had my easel wedged against a tree, with only its back leg set up, to keep it from sliding down the steep hillside, as I sought to capture the varying greens looking down towards the valley.

5 x 7" plein air oil on linen/birch. September 22nd.

This last one was a little painting done for a couple who used to live in this area, but have moved elsewhere. I little reminder of the bluffs and valleys. I loved the light at that time of day!

Red Wing Plein Air - 2017

Tuesday, June 20th

Hello again, Red Wing!

After checking in at the Depot Gallery and getting a bunch of panels stamped for the event, I drove up to Memorial Park on Sorin's Bluff, which has a great view looking over the city, and is a perfect place for watching the sun set.

Painting a view like this is very different from what I usually paint, and trying to simplify all the shapes and colors of the houses and buildings and trees below was a big challenge for me. I liked the slanting shadows that could be seen across the street below, the bright greens of the trees and the clearing on the west end of Barn Bluff, and the long view over to Wisconsin in the distance.

June 20, 2017. Summer Begins in Red Wing - 12 x 9" oil on linen/hardboard

Wednesday, June 21st.

Hiking up to the top of Barn Bluff with an easel and bag full of gear on my back isn't exactly enjoyable, but once at the top it is so worth it. The Prairie Trail wends its way through blowing grasses and wildflowers to the eastern tip of the bluff, which overlooks the head of Lake Pepin.

I've painted here before, and this time I brought an 8 x 16 panel to paint, to capture more of the wide view. 

Half-way into blocking in color.

I really enjoyed working out in paint the shapes and patterns of the river here. A beautiful puzzle.

Worth the Hike - 8 x 16" oil on linen/hardboard. June 21, 2017

Notes for next time: Eat a bigger breakfast - cheddar crackers just don't cut it. Wear sunscreen - the wind may make using a hat or umbrella difficult.

Favorite overheard story while painting: "Grandma was smart to bring him up here! No wonder Grandpa fell in love with her!"

Dinner with some of my favorite painters, and then back out. I headed to Wacouta, where I also did some painting and exploring last year. Looks like the fields were planted with rye again - so pretty! And there was something very homey to me in the subtle, sweet fragrance of the field in the evening.

I walked down a little ways on Rattlesnake Bluff Trail to get closer to this corner with its contrast of shadow and light on the standing grain.

Around the Bend - 9 x 12" oil on linen/hardboard. June 21, 2017

 Thursday, June 22nd.
Rain, rain, rain, rain, rain.
A soggy, gray day. Artist Jim Turner suggested we go paint at Kelly's Taphouse, as we'd seen a good viewpoint from their patio the day before. They were so gracious and let us move tables and chairs and set up our easels to get almost out of the rain. It was so wet and humid that Jim's watercolors wouldn't dry! My oils worked out a bit better. The rain came and went and came again, but all the moisture in the air lent a nice depth to the scene of boat houses and Barn Bluff. Of course, I like my trees, and these two stood out so full and sharp in the wet weather.

100% Chance of Rain - 9 x 12" oil on linen/hardboard. June 22, 2017 sold

Late evening the clouds finally began to break, and I tried to capture a bit of that standing under Maiden Rock and looking out over Lake Pepin. When I was nearly finished, the sun broke through just before setting and the whole sky and river was aflame with pinks and orange and gorgeousness. I may have to attempt that scene in a studio painting in the future!

Departing Rain over Point-No-Point - 8 x 16" oil on linen/hardboard. June 22, 2017

Friday, June 23rd.
Headed out painting with Jim again, but I left him painting what would become an award winning piece, and backtracked to visit these cattle I'd seen on the way. This time of year is so green in Minnesota, but there are still a lot of variations and I want to be able to show the richness of the landscape without making it boring. There is always a lot to learn.
The clouds began moving in as the day progressed, and their shadows moved across the growing corn in the field beyond the pasture.

Noon at the Watering Hole - 10 x 8" oil on linen/hardboard. June 23, 2017

In the afternoon I ended up at Flower Valley Vineyard on Orchard Road. I'd driven past this barn before and knew I wanted to paint it. The dark clouds moving through set off its red sides nicely. It was built in 1872, and has beautiful stonework and narrow horizontal boards; barn swallows nest under its eaves.

The weather alternated between rain and sunshine, with occasional umbrella-flipping wind gusts.

One Hundred Forty-Five - 8 x 10" oil on linen/hardboard. June 23, 2017

Friday evening we all turned in three framed paintings to be hung for the show, and had a little gathering with the artists and arts association volunteers (and food!) which was really nice.

Saturday, June 24th.

Quick paint from 9 to 11 am! The sun came out just in time. The wind blew out of the north and it was surprisingly cold for a June day. Half-way through painting I ran back to my car to grab a sweater - it's hard to paint a straight line in the first place without adding shivering to the mix!

This spot is just across the street from the depot, and it always catches my eye. I liked how the morning light caught the wind-blown trees and grasses and made them stand out against the dark background of old brick.

Quick paint on my easel. A Little Wild Place - 8 x 10" oil on linen/hardboard.

This year's judge was Joshua Cunningham. I became acquainted with him and his work the first year that I was part of this event - in 2011 - and have been a fan ever since. He did a demo in the afternoon, through occasional spits of rain and amidst a mostly shivering crowd of onlookers, who sometimes left to go find jackets or coffee. It was great to watch his painting develop and have a chance to ask questions. 

My four paintings in the show.

I was surprised and so very grateful to receive Best of Show for my painting "Worth the Hike"!

I had a great time in Red Wing painting, and meeting and reconnecting with some wonderful people while there. Thank you to everyone who helped make it happen, and to those of you who stopped by the opening! The show will be up till July 30th, 2017. Stop in and see all the new work, and pick out your own favorites. :)

Portrait of a Barn

This is "my" barn, the poor old beauty. I can't fix it, so I keep on painting it.

The initial sketch-in:

Then, blocking in the colors, especially the highlights and shadows:

 More detail, and blocking in the sky (and catching a few gnats in the wet paint!)

 The finished painting:

9 x 12 inch, plein air, oil on linen/hardboard. May 26, 2017

I started this one pretty late, and used up every minute of daylight. Studying and painting the weathered wood and knots that still hold red paint on the faded north face, the milkhouse, the feed room, the lean-to. The long grass that surrounds it in the spring time, the beautiful old cupolas, with their touches of rust, that always catch the last of the light in the evening.

Here's looking at you, Barn.

October's Bright Blue Weather

I know, I know, November is two-thirds over already. It's snowing outside at the moment. But here's a look back at October.

***

October 1st I met up with a great group of artists at Evansen Art Studio in Hastings, Minnesota to spend a day painting. In the evening the show was hung and there was a public reception. There were sure a lot of beautiful paintings and some of the them were featured in a silent auction at the Hastings Prescott Area Arts Council gala on November 4th.

Here are the two that I painted:

Another Season, 9 x 12" plein air oil on linen/hardboard. 

Fruit on the Vine, 12 x 9" plein air oil on linen/hardboard.

As the daylight hours became fewer, I didn't often get out to paint, or have long to work when I did. But I just love the light and color of this time of year, so it was good to get out and soak it in. This is a smaller painting, so I could try to capture those gorgeous lines and colors in a short time before sunset on October 17th.

Pastures in October, 6 x 8" plein air oil on linen/hardboard. 

October 22: Time to get out into the woods. These back-lit birch trees caught my eye, with the golden poplars in the background, and all the wild asters that had gone to seed lit up with the low sun.

Some cattle broke through a fence somewhere and came up behind me and stared. They weren't impressed.

Birch Grove - Late Afternoon, 9 x 12"plein air oil on linen/birch panel.

October 24: Another race against the sunset! I never tire of those curving fields with their varying colors and textures. Many of the trees in the woods had already lost their leaves, but the aspens and oaks still were a sight to behold with their vibrant yellows and rusty reds.

Late October Color, 9 x 12" plein air oil on linen/birch panel.

***

I've only been out once so far this month, on November 4th. I painted quickly, as the light and shadows changed as the sun sank down beyond the neighboring bluffs, and the girl tending the fire didn't hold still. But it was one of those clear-sky days, with the smell of fallen leaves, and perfect for a little campfire supper.

November Campfire, 9 x 12" plein air oil on linen/birch panel.

September

September. A very full month.

My sister, nephews and eldest niece were visiting from the other side of the world, and the time was precious. A lot was packed in, as we have to make the most of the time together, and the days flew by.

I was also preparing for the Driftless Area Art Festival, which took place the 17th and 18th. Two beautiful days, among many rainy ones. (The following weekend the park was under water!) But that weekend was beautiful, and I thank all of you who came out and enjoyed it and made it a great event.

My temporary gallery: my booth at the Driftless Festival.

At the same time, the Between the Bluffs plein air event was taking place in La Crosse, Wisconsin. Since I didn't have a chance to paint the first week, I put in as much easel-time as I could the last few days. The first day, Monday, I painted on the very edge of the designated area, a view of the King's and Queen's Bluffs in Minnesota. They're such recognizable figures, and I always like how the light hits them, as they tower above the highway below.

Driftless Royalty, 9 x 12 inch, plein air oil on linen/hardboard.

It was a day to paint bluffs and clouds. I tried for another quick paint before dark, watching a distant storm in the sky and painting a valley below.

Distant Storm Clouds, 9 x 12 inch, plein air oil on linen/hardboard.

On Tuesday I headed for a county road along the Interstate, to paint a barn I've long admired. That cupola! It's a beauty. The sky was dark to the south and west, which contrasted beautifully with the light on the roof of the barn and the dark outline of a tree in the pasture. The weather moved in, and I got rained on a little before the skies cleared.

Local Color, 9 x 12 inch, oil on linen/hardboard.

Then it was time to paint more clouds and valleys! A friend joined me and we went to the upper Hixon trails in La Crosse. The shadows were long, the light fleeting, the mosquitoes voracious.

Cloud-Watching, Upper Hixon Trails; 9 x 12 inch, plein air oil on linen/hardboard.

Wednesday brought more wet weather, but it cleared for a short time in the afternoon. The creek was swollen and brown with all the rain. I painted the light and shadows quickly, and the sky was already cloudy again as I finished up.

Bridge over Muddy Water, 12 x 9 inch, plein air oil on linen/hardboard.

The next day was the day to frame and turn in three paintings. I took these:

My three in the show!

Saturday morning was the "quick paint" in La Crosse. I almost didn't make it. I left home "early", but not early enough, as unbeknownst to me there was a color run happening downtown, and parking where I thought I was going to park was not an option. I was also not quite sure where I was supposed to be, and I wasn't so sure about braving the clouds of colored dust, so wandered around lugging my gear for awhile until I finally stumbled into the right place. Whew!

Though I had to paint quickly, it was a relaxing place to be: watching the poplar leaves blow in the wind and the river rush by.

My quick-paint, 9 x 12 inch, plein air oil on linen/hardboard.

Saturday night was the public reception. Always fun to see all the new paintings from around the area! I was so pleased to receive an Award of Excellence for my painting "Local Color", and I also won first place for my quick-paint. Two of my paintings are going to new homes, which is the best honor of all. Thank you to everyone who came!

Red Wing Plein Air 2016

June 20-25 - time once again for the Red Wing plein air festival! This was my 6th year participating. Every year brings a chance to get to know the Red Wing area a little better. I found some new (to me) places this year, and revisited old ones.

 My first painting of the week was on a farm that I'd admired and painted from a short distance away a few years ago. This time I got a closer look, and painted from another angle. It's such a beautiful place. The bittersweet beauty of these lovely old structures, with some rust, chipping paint, and failing shingles juxtaposed against the blue sky and lush greens of a summer landscape. These buildings are old and run-down. But they're still standing.

Still Standing, 9 x 12" plein air oil on linen/hardboard. sold

Monday night was a picnic and paint event at the Harbor Bar in Hagar City, WI. I didn't do a painting there myself, but enjoyed some good food and watching other artists work. Afterwards I headed back out with my gear to try to capture the moonrise. The Full Strawberry Moon. I chose a spot facing a place called Rattlesnake Bluff and a field of tall standing grain. I am not at all an experienced painter of nocturnes! If the folks in that neighborhood looked out and saw someone with an easel under a streetlight, with a cellphone for extra light, flailing around trying to avoid biting insects... well, I know who it was.

Moon Rising over Rattlesnake Bluff, 9 x 12" plein air oil on linen/hardboard.

 Tuesday. Time for a hike. Before the week began I treated some of my clothing with permethrin, so I could go into fields and woods with a little less worry over insect bites - especially from ticks, which have been pretty bad this year. I gathered all my gear - easel, paints, umbrella, etc. and hiked up Mt. La Grange, a.k.a. Barn Bluff. It was a hot hike, but there was a good strong breeze at the top. I followed the Prairie Trail all the way to the east end of the bluff, and found a nice out-of-the-way spot to paint, with a view of the river.

 Here's where I was set up:

Here's what I painted:

Prairie Trail View, 11 x 14 plein air oil on linen/hardboard.

The evening found many of us up on the neighboring bluff-top (you can drive up this one) at Memorial Park, painting the sunset on the first day of Summer. What a gorgeous night to watch the sky.

Beginning of Summer, End of the Day, 8 x 10" plein air oil on linen/hardboard.

Wednesday - a day that alternated between flat, overcast skies and intense sunshine. I returned to Old Frontenac and took a walk around the neighborhood. Had to go back and visit the barn I painted last year. I found another artist working nearby, and decided to join her and paint a different view of the same place I admired so much last time. It has such a great old face, and I appreciate it all the more after struggling with the perspective of it and trying to get all the windows and doors to fit in their proper places. I'm also glad the owner hadn't gotten around to painting the old gate yet - the variations and the wood showing through gave me more color to work with. And the great old trees provided a fine backdrop.

J's Barn, 9 x 12" plein air oil on linen/hardboard. sold

 Thursday morning started out cloudy and rainy, and I was so tired that my plans of getting an early start to the day just didn't happen. I drove around for awhile, got lost, and eventually got a better feel for one area outside of town, but no painting happened. After the rain stopped, it was still a very cool day. Perfect for another hike. This time I went up the other side of Barn Bluff, following the Quarry Trail with its cliff rising up on one side and the steep hill dropping off on the other. A fallen tree caught my eye and I had a go at painting it. The mosquitoes, when I was still, sitting in one place, were terrible, and I'd forgotten my bug spray. An extra shirt wrapped around my head helped keep the humming hoards away, and I could enjoy myself. I love being in the woods. The backdrop of cliff, rock, and gravel is quite different than what I usually paint and was a good challenge, and I reveled in painting the moss that covered the root flare of the fallen tree.

Quarry Trail Afternoon, 11 x 14" plein air oil on linen/hardboard.

By the time I'd cleaned up and hiked back down the bluff, the day was far spent. I wanted to do one more painting, though, and headed back to the area I'd explored in the early part of the day. The sun was getting low - a beautiful light, but a fleeting one. I set up near a farm, hoping to paint the cows, but also eyeing up the steeple on the horizon. After I'd sketched in the latter, the obliging bovines slowly grazed their way right to where I wanted them and I painted them in too.

Grazing in the Thistles, 9 x 12" plein air oil on linen/hardboard.

Friday was the day to pick three paintings, frame, and deliver them to the gallery to be hung. A private reception was held Friday evening, and awards were announced. I was so happy to receive an Honorable Mention on my first painting, "Still Standing"!

 This year's judge was Kathie Wheeler. I was first introduced to her and her work the first year I did this event, and I've been a fan ever since. 

Saturday morning was the quick paint. I had picked the spot I planned to paint the night before, but the morning started out hot, with a promise of getting even hotter, and the spot I'd picked was in full sun. I changed course, and ended up painting something different than what I'd planned, and also sort of revisited something I'd painted last year. But I don't regret it. It's amazing, though, how quickly two hours go by when trying to paint a complicated mass of ropes and cables in changing light.

Ropes and Pulley, 8 x 10" plein air oil on linen/hardboard.

The show will be hung till late August, and can be seen at the Depot Gallery in Red Wing, Minnesota. Stop by and see the whole show!

Saturday

Rumor has it that it will be winter before we know it, and I felt the need to take advantage of the warm weather on Saturday to get out to the woods and do some painting. I biked, stopping in the orchard to pick a few pears that still hung on the branches, and a few of my favorite late-summer apples, to add to my painting bag. No starving artist here!
 The dogs were with me, dashing off at the slightest insult from a squirrel, or something I couldn't hear or see at all, only to return with wagging tails to be told what good pups they were.
 Once again, I picked something "simple" only to be almost overwhelmed with how complicated I actually found it to be. The shapes, colors, texture of the trees, and the number of them... partway through it looked pretty dismal. But what a day to be out. The warm yellows, oranges, and greens of the trees and shrubs in the background, along and beyond the barbed wire fence that separates the pasture and woods from the orchard, were lovely. Little stems of wild asters bloomed in amongst the trees. The paint went on thick.

Late September in the Poplars, 9 x 12" plein air oil on linen/hardboard.

In the evening I attended the opening for the Between the Bluffs plein air painting event in La Crosse, Wisconsin. A great show! Really fun to see all the new work and pick out favorites. We were each allowed three paintings. I submitted "Roadside Glory", which I wrote about recently, and these two:

Sundance, 9 x 12" plein air oil on linen/hardboard.

"Sundance" was another orchard painting, done underneath the trees, looking out. The apples themselves are named Sundance, a tangy-sweet late-ripening variety, and I wanted to highlight the play of light on the ripening fruit. They won't be ready for harvest for some time yet, but the apples hanging on the outer branches pick up a lovely blush. When trying to paint something like this, I really get a chance to notice things like the differing shapes of leaves, a little insect damage, variations in color like those little touches of reddish-brown on some of them, and I appreciate it all that much more. This piece was awarded the Best of Show at the opening! I am so thrilled and honored.

Saturday Sunshine, 9 x 12" plein air oil on linen/hardboard.

My third painting was the first that I did for this event. An old, long admired barn situated on a narrow gravel road that should probably be avoided by sane drivers. I made some little friends here when I asked permission to paint. They kept me company, kept me on my toes, drew me pictures, and when they disappeared into the barn and reappeared on the low roof shouting "Paint us! Paint us!", I did. I'm delighted to say that this one sold at the opening and is going to a new home. What a fantastic and humbling feeling it is when someone chooses to live with a piece of my art. :)

Red Wing Plein Air 2015

It's that time of year again!
 Monday: I drove up to Red Wing through pouring rain. It was good to see some familiar faces as well as some new ones at the welcome breakfast, where we were given more information about the week ahead, a schedule, maps, etc. The rain stopped, but then came the wind, whipping the trees outside the depot. It did not look like a good day for painting!

Wind and Wires, 12 x 9 inch plein air oil on linen/hardboard.

 I was also running on very little sleep. Good thing Jim Turner, my painting companion for the day, has twice the energy and enthusiasm of most people and it's a little bit contagious. We drove out toward the country, turning down a long gravel drive that led to a farm. There were a couple of views that caught my interest, but I settled on this little red building that looked like it had seen many years go by. The day was looking sunny and bright at this point, and I commented on the nice breeze to keep the mosquitoes at bay. I had to eat my words when the clouds moved in again and I had to hang onto my easel in the gusts of wind.

South of the Tracks, 8 x 10 inch plein air oil on linen/hardboard.

Later in the day, I found Jim again, this time painting near the railroad - one of the industrial working scenes he captures so well in watercolor. I looked across the tracks and had a go at the patterns of sunshine and shadow. The many lines of the structures in this area of railroad and river work are very difficult for me when painting wet into wet oils. I keep trying to figure out the best way to do it, but it's a work in progress!

Down the Dock, 12 x 9 inch plein air oil on linen/hardboard.

In the evening we had a group event, open to the public, over on the Wisconsin side of the river at the Harbor Bar. Many of us painted until I, at least, was mighty close to being a starving artist, and then we got to enjoy sandwiches or burgers at the restaurant and watch the sunset. After walking around for a while, I sat right at the corner end of this dock. I liked the perspective of the lines of the boards, and that red boat was sure eye-catching. I wonder just how many of us painted it that night!



Tuesday morning I ended up out on winding country roads, exploring. I "wasted" a lot of time and most of the nice morning light! But I found some really cool places I wouldn't have otherwise seen, and saw turkey, deer, groundhogs, and one narrow gravel road that was literally covered in tiny butterflies. Amazing.
 In the afternoon I painting this downtown street. I painted this same street a few years ago, but it's such a pretty one, and I had a different perspective this time. I love the style of these old buildings. The many windows and architectural details on their faces are so challenging to portray or imply in wet paint. Trying to accomplish this, I also appreciate those details even more.

Downtown Tuesday, 9 x 12 inch plein air oil on linen/hardboard.

 In the evening I went back to one of the places I'd discovered on my morning drive: this farm on top of the hills. Reminds me of home, and just look at the shape of that hay field!
 I'm not always successful, but I do love to paint hay. I love the smell of it, and the subtle colors of the stubble between the rows of cut grass, alfalfa, clover. Part way through painting, I saw a tractor coming over the hill. The field I was next to, and almost in, was being raked! The farmer was so kind and I was able to stay put, finish painting, and have a more interesting foreground as the hay was turned up to dry.

The Intricate Land, 11 x 14 inch plein air oil on linen/hardboard.

Wednesday the location of the day was Old Frontenac. What a find. I'd read about it previously (though my memory of the history had faded) and it was lovely to walk around the quiet streets of the historic little town on the river and see some of its wonderful old buildings and beautiful gardens. This white barn caught my eye the first time I made the rounds exploring. Its face, the grapevines that covered the near fence, all the various greens surrounding it. I painted the shadows in while the sun was out, but it didn't stay out. It came and went, and I took my time with this painting, and enjoyed it thoroughly. Met a few of the residents, which was really lovely, and heard some more anecdotes about the place.

Quiet Day on Manypenny Ave, 9 x 12 inch plein air oil on linen/hardboard.

 After a pretty laid-back Wednesday, I was anxious to get out and get painting right away on Thursday. More exploring in Old Frontenac! I ended up down by the river, watching cloud shadows on the bluffs across the river, and their reflections in the water. This is a rather "quiet" painting, but it was nice to take in the scene of the sky and clouds, the currents in the river, the shadows cast by the tree I took shelter under, and a little sand castle left on the beach.

Mississippi Moment, 12 x 9 inch plein air oil on linen/hardboard.

Just after the first one, I turned my easel and painted another looking downriver. More shadows and reflections; the fish weren't biting, but it was a good day for dogs.

Old Man River, 9 x 12 inch plein air oil on linen/hardboard.

Late in the afternoon I went back to my new favorite farm fields to check on the hay. Nice plump round bales stood in the field that had been raked while I had painted previously. The clouds were building, and I painted until I saw rain moving in and heard thunder roll. The evening was spent framing.

Hill-Valley Hay, 14 x 11 inch plein air oil on linen/hardboard.

 Friday was the day to turn in 3 of the paintings done during the week. In the evening was the annual riverfront reception- a chance to be the first to see the show, and the price of the ticket could go toward the purchase of a painting. Good food, and nice to relax a little and visit with people there, including the wonderful volunteers who put it all together. It's really nice to catch up with some of the other artists and see what they found and painted during the week. This year's judge was the talented Mike Rada. First place went to Jim Turner, second to Lisa Stauffer, third to Laura Frykman, and Best Downtown to Ivan Zassavitski. I was very happy to receive an Honorable Mention for my Manypenny Ave painting!

My corner of the gallery on Friday night.

 I had set myself a goal to complete ten paintings this week. Not to focus on cranking out a certain number, but because getting a week away to paint is such a great opportunity and I wanted to take full advantage of that, and experience and learn what I could during a pretty intense time of observation and painting. Saturday morning's 2-hour "quick-paint" met my goal.

Arrived early to scope out my spot before the 9am start time.

Wet painting framed and on display outside the Depot.

Some of the other quick paints.

There were many beautiful paintings done in the two hours allotted for the quick paint. The public and artists voted for the best one - it was hard to choose! This year's winner was Dan Mondloch who had a great little painting of the boat houses.

Ropes and Pilings, 8 x 10 inch plein air oil on linen/hardboard.

This was my fifth year doing this event, and every year I discover new places and, I hope, grow as an artist.
 The show runs through the third week of August. If you're in the Red Wing area, check it out! Info at redwingartsassociation.org.