February 2020: Field Notes

The month of February began with sunshine, and a goal to get out into it as much as I could. 

February 1, 2020, 12 x 9" plein air oil on linen/birch.

2/1: The sunshine, though brief, was extra welcome after a particularly cloudy January, and it was good to get out to the woods and paint. The early afternoon light shone on a wild apple tree, and the sun cast blue shadows across the deep snow.

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February 2, 2020, 10 x 7" plein air oil on linen/birch.

2/2: A birch tree in the woods. The sun sank behind thin clouds to the west, softening the contrasts and colors of the evening landscape.

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February 4, 2020, 7 x 5" plein air oil on linen/birch.

2/4: Trying to escape the bite of the north wind, I found myself returning to the shelter of the orchard. As usual, the deer had made themselves at home there, and the snow around the trees was crisscrossed with their tracks.

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February 5,8, 10 x 12" plein air oil on linen/birch.

2/5 (and 2/8): Further snow-study. I loved the strong blue that seemed to envelop the snow- and tree-covered slope in shadow, while the soft evening sunlight lingered on the stones and oak tree that occupy the corner of the hillside pasture. It was a bit more than I could manage in the short time I had before the sun set, and I returned to the same place a few days later to wrestle with it a little longer.

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February 6, 2020, 10 x 8" plein air oil on linen/birch.

2/6: Golden light, the moon rising over the old oak tree, and the shadow of the hill slowly climbing as the sun sets.

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February 8, 2020, 5 x 7" plein air oil on linen/birch.

2/8: Small, cold, color studies, as the sun set and the full moon rose above the tree tops.

February 8, 2020, 7 x 5" plein air oil on linen/birch.

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February 11, 2020, 10 x 7" plein air oil on linen/birch.

2/11: On a west-facing hillside, facing the sun. Hickory and oak trees, blue shadows, 

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February 15, 2020, 8 x 6" plein air oil on linen/birch.

2/15: The sun setting behind me gave so much color to the snow and the tangle of vines at the base of these trees.

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February 17, 2020, 7 x 10" plein air oil on linen/birch. Sold.

2/17: Painting in the field, watching approaching snow showers, the afternoon sun occasionally visible through the clouds.

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February 22, 2020, 11 x 14" oil on linen/hardboard.

2/22: I received a box of lemons from California in the mail and they were too pretty not to paint, their bright yellow next to the blue-tint of an old canning jar from my Grandma's kitchen.

February 22, 2020, 6 x 8" oil on linen.

And one more quick study, just for fun.

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February 24, 2020, 9 x 12" plein air oil on linen/birch.

2/24: A layer of thin clouds made for subtle light and color at dusk. Snow and scrappy trees.

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February 29, 2020, 14 x 11" plein air oil on linen/hardboard.

2/29: Leap-day painting. The day had been a persistent grey, and I began my painting with a plan to focus on the dark water and soft color shifts of a cloudy day. I had just sketched out the rough shapes of the scene when I looked up to see blue sky, and the last trace of cloud quickly disappearing. My footprints in the snow caught bright sunlight, and the creek changed from slate to deep blue.

My grey-day painting was ruined, but I can't say it was a complete loss. :)

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September - Grand Marais, Driftless, Between-the-Bluffs

September brought my first trip up to Grand Marais, Minnesota, to participate in Plein Air Grand Marais. I'd heard about this gathering for years, and this year brought an unexpected opportunity to join in.

September 8, 2018:

I spent the morning exploring Cascade River State Park. The sunshine was warm, and I was not prepared for how cool the wind would be later on when I returned to paint, stepping across the stones in the river to set up my easel on a little island midstream.

Stepping Stones, 12 x 9" plein air oil on linen/birch. sold

September 9, 2018: More exploring, this time mostly from the car. I passed this barn a couple of times before deciding to stop and ask if I could paint it. The barn, about 100 years old, was awaiting a new roof. A couple of pigeons flew over my head, returning to the peak of the roof where they were clearly at home.

Pigeon Roost, 10 x 12" plein air oil on linen/birch. sold

September 10, 2018: The sun peeked out every now and then, but the clouds took the day.

I spent more time exploring, driving and stopping anywhere that looked interesting. I walked some ski trails until I remembered the existence of bears and scared myself.

I ended up at Sugarloaf Cove and painted on the rocks. The light and color of the water changed quickly as the rain passed by in the distance.

Watching, 9 x 12" plein air oil on linen/birch. sold

After nightfall, I joined artist Naomi Tiry-Salgado to paint in downtown Grand Marais. Despite the wet weather there were other painters out around town, too. I set up in a doorway to partially shelter my easel from the rain, accompanied by an umbrella and hot tea, across from the "World's Best Donuts" (unfortunately closed at night!) The wet street made for some great reflections, and a street light glared off the back of a stop sign. The tall white building was once the Light Keeper's house, built in 1896, and is now a museum. I returned a couple of nights later to tighten up a few things on the painting before calling it finished.

The Light Keeper's Place, 8 x 10" plein air oil on linen/birch. sold

September 11, 2018: Back at Cascade River State Park, at a place I'd found while hiking around on the first day. It's a beautiful spot, with deep shade, thick moss, and rich color; but the painting was a fight. I returned the next day to work on it again, and in the end I brought it home with me. There are lessons in this one, I think, but it may take some time to really learn them.

12 x 9" plein air oil on linen/birch.

Later I painting along Highway 61, a few miles outside of Grand Marais. I was taken with how the evening sunshine brought out the shapes of the trees and all the roadside color.

September on 61, 11 x 14" plein air oil on linen/birch.

Thursday, September 13, was the 2 hour quick paint event in Grand Marais. It was the last painting I'd be doing, and the last part of Plein Air Grand Marais I'd be participating in. I was running around like a chicken with its head cut off, framing and dropping off paintings and thinking about all that I needed to do before and after my long drive home.

I was late to set up painting, but at that point I didn't really mind. This was the icing on the cake; I wanted to give it my best but also just enjoy it. It was time to be still, to be quiet, to learn and to rejoice.

After the fight of my other woods painting I almost didn't attempt this one. But there was just something about these backlit boulders, their edges and moss-covered angles, that caught my eye and held it. Beautiful.

Letting the Moss Grow, 10 x 8" plein air oil on linen/birch. sold

A quick dinner with friends and then it was time to hit the road. I left grateful for the opportunity I had to participate in this event, time spent with acquaintances new and old, all the people from Outdoor Painters of Minnesota who were involved and worked so hard to pull it all together, as well as those from the Johnson Heritage Post Art Gallery, which held the show from the 14th through October 7th. I didn't get to be there for the opening, but I got a wonderful surprise when I heard that "The Light-Keeper's Place" had received the 1st place award for the Night Paint category! A big thanks to judge Jeffrey T. Larson.

*****

 Friday found me home again packing up for the Driftless Area Art Festival, which took place on Saturday and Sunday. Severe damage from recent flooding caused the festival to be moved from its usual location to the fairgrounds in Gays Mills, Wisconsin. The volunteers did such a great job in organizing this last minute change! For me, this is always a special event, in the middle of a special part of the Midwest. 

Apple cider doughnuts :) They treat us well!

Tiny watercolors - 2.5 x 3.5" each.

Dandelion Clouds  and October Harmony - sold

Hope, 18 x 36" oil on linen/birch. 2018. sold

The weekend was unusually warm for September, but I think we were all glad for the sunshine and lack of rain. A huge thank-you to everyone who showed up and made it memorable, interesting, and so enjoyable.

Saturday afternoon.

*****

Monday, September 17th.

The sixth annual Plein Air Between the Bluffs outdoor painting event had begun on the 7th in La Crosse, Wisconsin, and I was glad to get a few days to join in. As I set up to paint, the afternoon's sunshine gave way to storm clouds. I'd nearly finished painting when the wind whipped up and it was time to bail. I was able to return a while later, between the first storm ending and the second beginning, to put the final touches on the piece and watch the distant lightning.

Quiet Thunder, 11 x 14" plein air oil on linen/birch. sold

 Tuesday, September 18th, in Dresbach, Minnesota down by the Mississippi River. It was a mostly grey day, but a little bit of blue sky showed above the river and soft light shone on the trees in the late afternoon.

Cloud Reflections, 9 x 12" plein air oil on linen/birch.

Wednesday, September 19th. A soft rain fell in the woods below the orchard on the farm, where the cow paths converge and split as they wend their way through the aspen trees. The greens of summer were beginning to give way to the coming colors of fall.

A little damp, but happy.

Easing into Autumn, 12 x 9" plein air oil on linen/birch sold

The public opening for the show was held at the SG1311 gallery in La Crosse. It was great to get to see all the new work, and talk with the other artists and people who came to the show.  Beth Bathe, who judged the show this year, gave a talk, and the gallery dog made his way around the room, hoping for a dropped hors d'oeuvre. I was very happy to receive a Merit Award for my "Quiet Thunder" painting, and even happier that two pieces found new homes.

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P.S. Pasture Studies: closing out the month with some quiet painting on the farm.

September 26: 6 x 8" plein air oil on linen/birch.

September 26, 28, 11 x 14" plein air oil on linen/birch.

Red Wing Plein Air 2018

Monday, June 11th:

The week started out cloudy. I headed for the woods.

 I had decided to visit Frontenac State Park this year, never having gone before, and I'm so glad I did! I ended up doing half my paintings there. I've only just begun to get acquainted with the place, and will have a lot more exploring to do in the future. Along the Upper Bluff Trail there were a couple of places with large fern beds on the steep hillsides facing the river. I set up my easel near one of these.

The Path through the Ferns, 10 x 8" plein air oil on linen/hardboard. June 11, 2018. sold

Just the right sort of place to spend a few hours quietly, taking in my surroundings, all the colors and sounds and fragrances of the woods, occasionally flicking away a spider or an ant or being scolded by a squirrel.

My easel and gear can get pretty heavy, and are always a bit cumbersome. I carry it all on my back and plod along like an overgrown turtle. This week I tried something new and brought a small folding scooter with me to use on paved trails. It got me around a lot faster, and wasn't much to wheel along with me in the places I couldn't ride. 

I'm still a turtle, but now slightly faster and slightly more ridiculous!

The day continued cloudy, but as the sun went down the clouds broke up a bit. I had my back to the sunset, looking out over Lake Pepin at the softer colors of the sky and the patterns on the water.

Dusk on the River, 8 x 6" plein air oil on linen/birch. June 11, 2018. sold

Tuesday, June 12th:

The clouds continue.

Had a good time painting with Jim Turner, who had found and got permission to paint at this little homestead on the previous day. I spent the humid morning wrestling with roof angles and flat light.

Jim's second painting was of me still working on my first!

"Hannah at Work", watercolor by Jim Turner.

Hill Avenue Farm, 14 x 11" plein air oil on linen/birch. June 12, 2018.

In the evening there was a cookout/potluck dinner for the artists and volunteers. I was late, but was glad I showed up. A beautiful location, and some good conversation.

The sky was clearing and the clouds were getting interesting, and on leaving I made a quick decision to head out towards the country and try to capture the clouds in paint. It was a mad dash to paint them before they changed too much and before the light faded! I didn't have quite enough time. I may work on this one again and see if I can fix a few things.

Cloud study, 9 x 12" plein air oil on linen/birch. June 12, 2018.

Wednesday, June 13th: Blue sky!

I headed back to Frontenac State Park, sat on a picnic table, and painted the early day.

Joy in the Morning, 8 x 16" plein air oil on linen/birch. June 13, 2018. sold

"...Weeping may endure for a night, but joy comes in the morning."

                                                   Psalm 30:5

In years past this plein air week was my time away - a break from caregiving, and a time to focus on painting. During the week I'd call home, checking in to see how my Grandma was doing, worrying, discussing her and her care. At the end of the week I'd return, exhausted. Often I'd be up with her in the night to follow - sometimes it was a battle of wills as I'd try to get her to drink more, or we'd sit together and talk or sing. I'd long for sleep, but give thanks that she was there. I miss her.

Still feeling my own loss keenly, I was perhaps extra emotional when it was announced Friday night that my painting "Joy in the Morning" had been selected for the Dan Guida Award. Dan was the longtime director of the Red Wing Arts Association and an enthusiastic force behind this plein air festival. His family created this award in his honor and memory, and I am deeply grateful.

Wednesday evening I returned to one of my favorite places: Rattlesnake Bluff Trail in Wacouta, Minnesota. Another study in greens. The trees cast shadows across the trail and grass and into the field, and the rocky face of the bluff caught the late afternoon sunshine.

Evening on the Trail, 8 x 16" plein air oil on linen/birch. June 13, 2018.

Thursday, June 14th: Back at the park, painting tree portraits.

My first painting of the day was again on the Upper Bluff Trail. A gnarled maple tree trunk, and the greens of leaves and underbrush.

Bluff Trail Maple, 12 x 9" plein air oil on linen/birch. June 14, 2018.

My last painting of the day was along the road near the park entrance. I love the shapes of these great trees, and the way they caught the late light before dusk.

Standing By, 9 x 12" plein air oil on linen/birch. June 14, 2018.

Friday, June 15th:

A hot, humid morning. Squeezing in one more painting, before framing and delivering three paintings to the gallery.

A beautiful little farm off the highway, with rich pastures, colorful cattle, and noisy guinea fowl. More greens. A little creek cutting through the pasture, and a silvery willow tree in the distance.

In Pastures Green, 10 x 8" plein air oil on linen/hardboard. June 15, 2018.

Friday evening was the special "First Glimpse" and Award Reception, a ticketed event. Judge Lisa Stauffer did a great job of speaking about the art, encouraging notice of and appreciation for technique and portrayal of atmosphere in the works. I was so happy to see Jim Turner receive Best in Show for his painting "Men at work"! Derek Davis got second place for "Back in the Saddle", and DK Palecek received third place for her painting "Late Sun". Dan Wiemer's painting "Majestic Maiden Rock" received the "Best Sense of Place" award.

Saturday, June 16th.

I awoke to the sound of thunder and rain. It had lessened somewhat by 9am, when the quick-paint competition started, but an occasional streak of lightning still flashed across the river and every so often I had to put up my umbrella as the rain blew in under the roof of the depot, where a few of us had taken shelter to paint. I did like how the rain changed the view and softened the distant trees. 

Crossing, 8 x 10" plein air oil on linen/hardboard. June 16, 2018. sold

At 11am the horn sounded and it was brushes down! Time to blow off the rain drops that still clung to the painting, and get it framed and into the gallery. Artist Greg Lecker took the award for the quick paint.

My four paintings in the show!

Now I will admit something here: early in the week, I hurt myself. I was zipping along on my scooter, scoping out painting locations (and, really, because it's fun and I'm only a kid pretending to be a grown-up) when we parted ways and I met the pavement. This incident slowed me down; I had to be more careful, couldn't hike far, had to spend more time patching myself up.  (Yes, guy at Walgreens, I am back for more bandages...) To adapt a famous quote, plein air painting is hard, and it's harder when you're stupid. But my bruises are fading and my new skin is coming in nicely. I still had a great week. Good times with painting friends, and a good dose of time alone. I met some lovely people, a dog who tried to make off with one of my shoes, sunshine and clouds and innumerable shades of green. 

 The show will be up till August 5th, and I hope you'll get a chance to stop in at the gallery to see all the work and pick out your own favorites.

 https://redwingarts.org/

The Month of May

May 4 - spring in the woods. The browns of last year's fallen leaves broken up by the greens of Dutchman's Breeches and wild ramps.

May 4, 2018, 6 x 8" plein air oil on linen/birch.

May 6 - spring paint-day at the farm. A great group of artists came out to the farm to paint. It was so fun for me to see some old painting friends and meet some new ones, and to see this place I love portrayed through the eyes and art of others.

This is the painting that I did towards the end of the day. The fields were getting so green, and the trees of the woods were leafing out.

May 6, 2018, 10 x 7" plein air oil on linen/birch.

May 9 - an attempt. Apple twigs, leaves, and blossoms in one of my favorite pieces of pottery. This was so much more difficult than I anticipated. I hope to try again next year.

May 9-10, 2018, apple blossoms. 16 x 20" oil on linen/birch.

May 11 - another attempt. These cuttings off the apple trees were still in bud stage, and I painted them in an old "Atlas" canning jar. A very fun challenge.

May 11, apple buds in an Atlas mason jar. 12 x 10" oil on linen/birch.

May 14 - A rainy Monday. The woods were turning all sorts of green, and the wet weather brought out the deeper colors of the bark of the trees.

May 14, 2018, 10 x 8" plein air oil on linen/birch.

May 15th - I always like to see how the hickory leaves unfurl from their flower-like buds in the spring.

HIckory Twigs. May 15, 2018, 8 x 8" alla prima oil on linen/birch.

In the evening I went out in the fields. The trees and the fields were becoming greener, but hadn't yet put on their summer colors. The shadows on the bluffs looked blue as the light faded. 

May 15, 2018, 5 x 7" plein air oil on linen/birch.

May 17th - I started this one late, after spending time working in the orchard clearing brush from between the rows of trees. The light was so pretty that time of day, but so fleeting! I didn't have enough time to finish and I ended up going out again a few days later, May 22, to put the finishing details in. The blooms were a bit sporadic this spring, the result of a very heavy bloom last year which was the result of a late frost that took out much of the crop the year before! By this time the grass was growing tall and green, and the air was filled with the scent of the blossoms and the buzzing of the bees hard at work.

May 17 & 22, 2018, 7 x 10" plein air oil on linen/birch.

May 19 - The weather turned unusually cool this evening as I went out to try to capture a little of the dandelion-filled fields. A north wind blew and the sky clouded over.

May 19, 2018, 12 x 9" plein air oil on linen/birch.

May 24 - Cloud study. This was one of those days when I just didn't have enough time to do what I wanted on location. But I had a start, painted in the bones so to speak, and finished it up at home that night.

May 24, 2018, 8 x 10" alla prima oil on linen/birch.

May 26 - Hot, humid weather. In the evening I went down towards the woods and set up in the shadows of the trees. The light from the sinking sun shone on the tops of the trees on the edge of the woods and lit one of the little trees that grow along the fence that separates pastures.

May 26, 2018, 6 x 8" plein air oil on linen/birch.

May 29 - Some beautiful blooms off of the bridal wreath bushes that grow by the house. I love the expressive shapes of the draping branches.

May 29, 2018, 11 x 14"  alla prima oil on linen/birch.

May 31 - One more chance to paint the dandelions. A quick little study before the darkness fell.

May 31, 2018, 5 x 7" plein air oil on linen/birch.