There are difficulties and annoyances when working on location, but I get some pretty great work-spaces too. A hay bale is fairly comfortable, smells nice, and you can jab your brushes in anywhere.
And it comes with a view!
The color of the fields looked pretty flat in the clear sunshine when I began painting, but I knew that as the sun got lower, the texture would appear. I was not disappointed.
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Cat on the prowl. |
As I painted the green fields I saw this cat, slowly and silently making her way through the grass and alfalfa, hunting. So I put her in.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuqP8sV-zv_zmr9choO6vKG1fXZ4v-hOiaE9I0XaYmFHJqWkHIZFDCmrqf0_XXEwt8KhYRbNMsh0QTfGh34-DKccuqcW1uyNifZH034i5IFAjRWS1SqbxB4ZCmiQRHNo6fNDTz3pw9jkz6/s400/HunterintheHayfieldpleinairLocation.png)
I finished up as the shadows grew long, and put my painting away just in time - the dogs discovered me and leapt up onto the bale, nearly knocking me and my gear off and trying to lick everything in sight!
The finished painting:
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Hunter in the Hayfield, 9 x 12" plein air oil on linen/hardboard. 8/1/15 |