Saturday

Rumor has it that it will be winter before we know it, and I felt the need to take advantage of the warm weather on Saturday to get out to the woods and do some painting. I biked, stopping in the orchard to pick a few pears that still hung on the branches, and a few of my favorite late-summer apples, to add to my painting bag. No starving artist here!
 The dogs were with me, dashing off at the slightest insult from a squirrel, or something I couldn't hear or see at all, only to return with wagging tails to be told what good pups they were.
 Once again, I picked something "simple" only to be almost overwhelmed with how complicated I actually found it to be. The shapes, colors, texture of the trees, and the number of them... partway through it looked pretty dismal. But what a day to be out. The warm yellows, oranges, and greens of the trees and shrubs in the background, along and beyond the barbed wire fence that separates the pasture and woods from the orchard, were lovely. Little stems of wild asters bloomed in amongst the trees. The paint went on thick.

Late September in the Poplars, 9 x 12" plein air oil on linen/hardboard.

In the evening I attended the opening for the Between the Bluffs plein air painting event in La Crosse, Wisconsin. A great show! Really fun to see all the new work and pick out favorites. We were each allowed three paintings. I submitted "Roadside Glory", which I wrote about recently, and these two:

Sundance, 9 x 12" plein air oil on linen/hardboard.

"Sundance" was another orchard painting, done underneath the trees, looking out. The apples themselves are named Sundance, a tangy-sweet late-ripening variety, and I wanted to highlight the play of light on the ripening fruit. They won't be ready for harvest for some time yet, but the apples hanging on the outer branches pick up a lovely blush. When trying to paint something like this, I really get a chance to notice things like the differing shapes of leaves, a little insect damage, variations in color like those little touches of reddish-brown on some of them, and I appreciate it all that much more. This piece was awarded the Best of Show at the opening! I am so thrilled and honored.

Saturday Sunshine, 9 x 12" plein air oil on linen/hardboard.

My third painting was the first that I did for this event. An old, long admired barn situated on a narrow gravel road that should probably be avoided by sane drivers. I made some little friends here when I asked permission to paint. They kept me company, kept me on my toes, drew me pictures, and when they disappeared into the barn and reappeared on the low roof shouting "Paint us! Paint us!", I did. I'm delighted to say that this one sold at the opening and is going to a new home. What a fantastic and humbling feeling it is when someone chooses to live with a piece of my art. :)

Yellow Apples and Goldenrod

 I so rarely try my hand at a still life, but they can be so much fun! Today's alla prima, and very seasonal, painting:

Yellow Apples and Goldenrod, 9 x 12" oil on linen panel

The apples I used are called Pristine; one of the earliest apples to ripen here. Sweet, tart, and with a skin so thin we treat them as though they're made of glass when handling them. They bruise very easily. They're a very pale yellow, and, if hanging on the outside of the tree, can have a beautiful blush. I wanted to paint them along with some goldenrod because they're both in season now, and though they might both be called yellow, their hues are so different.

Palette, partway through painting.

 Picking apples earlier this month. :)
 Learning to look at the background color of apples to judge proper ripeness takes some time and I'm still learning. And doing lots of tasting. This sure is a good eating time of year.

The picking bag is almost full. Time to waddle over to a crate to empty it out.