Tuesday, April 10, 2018

Respite


At the close of January I left winter for summer, traveling from southeast Minnesota to southeast Queensland, Australia. I spent the next two months there, living with my sister's family, sweltering in the heat and humidity, resting, reading, letting my big sister take care of me, spending time with my growing niece and nephews, getting better acquainted with the place they call home, and, of course, painting.

People:
 I wanted to take this opportunity to work on drawing and painting figures and portraits, especially my niece and nephews.
5 x 7" oil on linen/hardboard. February 1, 2018
 Tired from travel, and settling in, I did a quick study of my niece, who was reading a Calvin & Hobbes book.

 This pencil sketch is the closest I got to getting a likeness of my elusive eldest nephew. Someday I'll get to paint him. :)

7 x 5" oil on linen/hardboard. February 5, 2018
 My niece and I did a lot of drawing and painting together. Here I painted her profile while she worked on an excellent little painting of her dog.

 An allergy discovered: A quick little sketch done for my nephew, who gave us a scare and was spending half the night at the hospital under observation after reacting to eating a prawn.

10 x 8" oil on linen/hardboard. February 12, 2018
A better day, attempting a painting of my youngest nephew. Nothing like being asked to sit still to remind a person of how much he likes to move and all the things he'd like to be doing. (But he kind of tried!)

10 x 8" oil on linen/hardboard.
 Painted over a couple of days, another portrait of my (very patient!) niece reading. Sometimes she read aloud to me, which was just lovely.

Asleep on the train after a long, eventful day. Graphite.





Still life:
 Studies of local flora.

9 x 12" oil on gessoed hardboard. February 3, 2018
 Lilly Pilly. This was painted on a rainy day; a sprig plucked from a shrub by the house with its glossy green leaves and bright pink berries.

10 x 8" oil on linen/hardboard. February 19, 2018
 Though not native, frangipani or plumeria are a common sight, and their fragrance often fills the humid evening air.

10 x 8" oil on linen/hardboard. February 21, 2018
 Eucalyptus leaves and gumnuts, picked up off the path of the neighborhood forest after a rainstorm.

10 x 8" oil on linen/hardboard. March 1, 2018
 Gumnuts again. A different kind of eucalyptus tree with very different shaped leaves and fruit than the first one.

10 x 8" oil on linen/hardboard. March 5, 2018
 Banksia, in a Bundaberg lemonade bottle. I often saw this particular species - I think it's a swamp banksia - with its reddish-brown bottlebrush-like flower stalk and leathery leaves and I knew I wanted to try to paint it.

8 x 10" oil on linen/hardboard. March 9, 2018
 One more gumnut study, this time from a flowering gum tree. The fruit of this one were heavy and ridged, the flowers a lovely pink, slightly bedraggled after heavy rain, and the leaves long and narrow.

10 x 8" oil on linen/hardboard. March 13, 2018
Beach Hibiscus. These grow to be large trees, which my niece and nephews liked to climb. Its bright yellow blossoms only last a day, then fade and fall. Handed to me after a conversation while I was painting one windy day by the bay, I took this flower back to the house with me and painted it that night before it wilted.





Forest:
8 x 6" plein air oil on linen/birch. February 4, 2018
This was the first plein air painting of my visit. My niece and I trekked down to an area in the neighborhood forest and painted in the evening. The trunk of a strangler fig along a small stream. The light didn't last long, however, the mosquitoes began to hum, and the crows in the treetops sounded as though they were laughing at us.

8 x 6" plein air oil on linen/birch. February 6, 2018
 Painted in Point Halloran Conservation Area: a study of midday greens and blues.

6 x 8" plein air oil on linen/birch. March 8, 2018
On Mount Tamborine, downstream from Curtis Falls, upstream from where a colony of fruit bats was hanging out. The light grew dim early down amongst the trees, and a little rain fell in this little bit of rainforest while I painted.




By the bay:
 Tides, mud and sand, wind and rain and sunshine.
7 x 5" plein air oil on linen/birch. February 10, 2018
 Raby Bay. I was all set up to paint when I discovered my brushes were not in with my gear - not one! This little painting of the water was done mostly with pieces of dried leaves off a nearby plant. A rough little color study.

6 x 12" plein air oil on linen/hardboard. February 16, 2018
 Point Halloran, painting while watching the tide go out. In the hot and humid weather it made such a difference to get down to the shore and feel the wind off the water.

9 x 12" plein air oil on linen/hardboard. February 25, 2018
 HMQS Gayundah. Appropriately, perhaps, my time painting this old gunboat "said to be named after an Aboriginal word for lightning" was interrupted by a sudden crack of thunder and lightning as a storm broke overhead. I was happy to get a chance to go back and finish it later in the afternoon as the tide came in.

9 x 12" plein air oil on linen/birch. February 27, 2018
 Wellington Point. Low tide and cloudy skies, looking out towards King Island.
Two 5 x 7" plein air oil paintings on linen/hardboard. February 27, 2018
 Later, as the skies cleared and the wind picked up and blew hard, I walked around the point and painted this one (two) of the red rocks and mangrove tree, as the tide began to come back in. The sunshine brought out such color on the ground and water.

16 x 8" plein air oil on linen/hardboard. February 28, 2018
 Victoria Point. A beautiful old gumtree by the footpath. The water was high, covering the trunks and roots of the mangroves, and the morning shadows dappled the ground.

6 x 12" plein air oil on linen/hardboard. March 2, 2018
 Also at Victoria Point, painting amongst the mangroves. An overcast sky made the colors of the landscape a bit more subdued.

5 x 7" plein air oil on linen/birch. March 4, 2018
 Raby Bay. A little sky and water study. A cloud overhead gave shade and a little rain, and cloud shadows moved across the bay.

6 x 8" plein air oil on linen/birch. March 7, 2018
 Victoria Point: Sky drama and mangroves at the bay. Glimpses of sunshine between rain showers.
Trying to take in and capture something of the colors and textures of sky and sea.
Listening to the wind, the little crabs crawling around the rocks, and the incoming tide.

5 x 7" plein air oil on linen/hardboard. March 13, 2018
 Thompson's Beach, Victoria Point. A little painting done in the wind and an occasional downpour. A beautiful old boat and the fantastic shapes of the mangroves.

9 x 12" plein air oil on linen/hardboard. March 16, 2018
Redland Bay. A quick study of the evening light at the bay; shadows falling across the mangroves and the sand and mud of low tide.

7 x 5" oil on linen/hardboard. March 2018 sold
Point Halloran Conservation Area. I really liked the feel of this place, tidal wetlands where salt and fresh water mix. There was a beautiful harmony in the colors of the wet landscape and sky and the delicate branches of the she-oaks. I would have liked to paint on location there, but the mosquitoes won the battle that day; I took a few photos and waded out. I began this little painting that night while the memory was fresh in my mind.


Mountains, skyscrapers, and ocean waves:
6 x 12" plein air oil on linen/hardboard. March 11, 2018
 Boonah, Queensland, along Mount French Road, looking across pastures towards Moogerah Peaks. The weather passing through alternatingly obscuring and revealing the mountains in the distance.

8 x 16" plein air oil on linen/hardboard. March 12, 2018 sold
 Peak Crossing, Queensland. Sunshine and mountains, and farmland that made me feel a little more at home.

6 x 12" plein air oil on linen/hardboard. March 17, 2018
 The Spit, Goldcoast. A quick study. The waves rolled in and washed around the legs of my easel and retreated again, pulling the sand back to the sea. I held on to make sure my easel didn't go out with the water. My little niece and nephew appointed themselves my protectors, digging trenches and lying on the sand to attempt to block the waves! Such good little buddies. :)

6 x 12" plein air oil on linen/hardboard. March 19, 2018
Mt. Coot-tha: We went up early to the lookout hoping to catch the sunrise over the city of Brisbane. Instead we looked out into fog. I painted this as the sun rose higher in the sky and the fog began to clear.
5 x 7" plein air oil on linen/hardboard. March 19, 2018
The morning sun grew hot and the fog lifted, bringing the city into view. 

6 x 12" plein air oil on linen/hardboard. March 24, 2018
Where the Noosa River meets the sea.
We spent the last weekend of my visit at the Sunshine Coast. I painted with my feet in the sand and the sound of the ocean in my ears.

8 x 10" plein air oil on linen/hardboard. March 24, 2018
 Sunshine Beach. Sand and sea and clouds at dusk.

6 x 8" plein air oil on linen/birch. March 25, 2018
My last painting in Australia: A little study of the water, watching the waves roll in and trying to take in all the color and form and movement. Beautiful day.

Sunday, January 28, 2018

Snow Studies


10 x 7" plein air oil on linen/birch.
 January 18
In the woods as afternoon turned to evening. Snow clung to the moss-covered bark of an old oak tree on the hillside.



8 x 16" plein air oil on linen/birch.
January 19
Winona, Minnesota, on the campus of Saint Mary's University. I set up, troll-like, under a footbridge to paint the still water of the creek that cuts through the woods.



Two 5 x 7" plein air oil paintings on linen/birch. sold
January 21
I took myself for a Sunday drive after church through a landscape of filtered sunlight, fog, and frost. By the time I reached this spot in the marsh the sun was disappearing behind incoming clouds and the fog had dissipated. It was a beautiful, quiet spot to observe the textures and colors of the bluffs and lowlands on a winter afternoon. It was a wide view, and the little panels I had along to paint on just didn't seem to cut it, so I painted two of them together.



9 x 12" plein air oil on linen/birch.
January 25
Footprints and drifts along the field-road. Grays and blues in sky and snow, soft shadows and the sun setting behind a cloud bank to the west.



7 x 10" plein air oil on linen/birch.
January 26
A thaw turned steep hillsides into waterfalls and all the ditches and gullies into streams of melted snow, stained by fallen leaves. The dogs, chasing tracks and trails up and down hill, occasionally remembered my existence and returned to me to be told what good dogs they were before running off again.
Shortly after I painted the reflections, water broke through the ice and snow farther up the hill and the little stream widened and foamed as it rushed on down towards the valley. 


Sunday, January 21, 2018

Watercolor Time

I've been getting back into painting more with watercolor recently. It's so different than oils and, though I began with watercolors when I was a kid, it still can feel like a new and difficult medium - but can also be so fun and satisfying!
Here are some recent works from late fall until now:

Late October watercolor #1, approx. 5 x 8"

Late October watercolor #2, approx. 8 x 5"

Last Color, watercolor, approx. 8 x 11"

Overgrown, watercolor, approx. 8 x 11"

Damp Leaves, watercolor, approx. 11 x 8"

Moss Green, watercolor, approx. 5 x 8"

The Still Meadow, watercolor, approx. 8 x 5"

Brown and Gray, watercolor, approx. 5 x 8"

November Dusk, watercolor, approx. 5 x 8" sold

Winter Birch Portrait, watercolor, approx. 11 x 8"

Brown December, watercolor, approx. 7 x 11". sold

Evening Snow Clouds, watercolor, approx. 7.5 x 9.25. sold

Moody Snow Clouds, watercolor, approx. 7.25 x 9.25. sold

Snow on the Tree Trunk, watercolor, approx. 5 x 4.75. sold

Friday, January 12, 2018

Though I walk...

11 x 14" oil on linen/birch. 2017 *

8 x 6" plein air oil on linen/birch. December 8, 2017 *

8 x 16" plein air oil on linen/birch. December 11, 2017

6 x 8" plein air oil on linen/birch. December 16, 2017

16 x 12" oil on linen/birch. 2017

9 x 12" plein air oil on linen/birch. January 8, 2018

18 x 24" oil on linen/birch. 2018

16 x 20" oil on linen/birch. 2018


These paths wind and wend through woods and fields and pastures. Across sunlit land and shadows.  Smooth ground and rough. Through thistles and weeds and brush, and through wide places and on the high ground where the wind blows cold. The little bit of snow that has fallen has settled in them and makes them stand out in the brown winter landscape.
 They are not great, important roads - nothing special - just small, insignificant ways. Tracks left from planting and harvest, and trails followed by cattle and deer.
 And me.

 I've been doing a lot of walking.

 I wish I could say I've handled loss well, but grief has surprised me with its ebb and flow, its waves that come and knock me over when I think I've gotten through the worst of it and am doing fine. There are times when the missing is so strong and the absence felt so keenly.
 I'm trying to find my footing when everything has shifted. One path has abruptly ended, so what now?
What am I doing, and what ought I to be doing, and thinking, and feeling? What is important, and what is of worth?
 Thoughts and questions, fear and fog, more foolishness than I want to admit. Trying to figure out a broken world, not able to figure out even a broken heart. Pouring it all out before the One who formed both. Putting one foot in front of the other.

Trust in the Lord with all your heart,
And lean not on your own understanding;
In all your ways acknowledge Him,
And He shall direct your paths.
Proverbs 3:5-6

He is faithful still when I am faithless.
His peace passes understanding.
His promises are sure.
His love never fails.

Keep walking.

Watch,
Stand fast in the faith,
Be brave,
Be strong,
Let all that you do be done with love.
1 Corinthians 16:13-14


Friday, December 1, 2017

Autumn

Some oil paintings from October and November:

Late-blooming roses.
Autumn Roses, 9 x 7" oil on linen/birch.

A stem of sumac leaves, with the light shining through them.
Sumac Leaf, 7 x 9" oil on linen/birch.

Gathered hickory nuts from the woods.
Hickory Nuts, 8 x 8" oil on linen/birch.

A little study of autumn color, fields and pastures, and a few grazing cows.
Green and Golden, 5 x 7" plein air oil on linen/birch. October 17, 2017.

A blue-sky day along the river. Painted in Alma, Wisconsin.
6 x 8" plein air oil on linen/hardboard. October 19, 2017. Sold

Followed by a cloudy one. Painted in Brownsville, Minnesota.
On the River, 6 x 8" plein air oil on linen/hardboard. October 20, 2017.

In a week's time most of the leaves in the woods were on the forest floor instead of in the canopy.
9 x 12" plein air oil on linen/hardboard. October 25, 2017.



Falling snow and sleet softened the view of the landscape and heightened the color of the green moss and the dark trees in the woods.
10 x 8" plein air oil on linen/birch. October 27, 2017.

There is a particular row of pear trees in the orchard that always turns beautifully red in the fall. I broke off a few twigs before a hard frost robbed the leaves of their vibrant color.
Pear Leaves, 12 x 12" oil on linen/birch.

First snow. It didn't stick around long, but it was beautiful while it lasted.
First Snow, 8 x 10" plein air oil on linen/birch. November 1, 2017.

Another little still life of things gathered in the woods.
Oak Leaf and Acorn, 7 x 10" oil on linen/birch.


The last of the nasturtiums, which had been kept through a few frosts outside already.
Nasturtiums, 8 x 8" oil on linen/birch.

A quick study of the oranges and greens of a cold November evening.
7 x 10" plein air oil and linen/birch. November 9, 2017.

The old frame of a barn along a country road.
9 x 12" plein air oil on linen/hardboard. November 12, 2017.

A study of the familiar sweep of the south-side fields on the home farm. The cold weather has changed the greens, softening and dulling their hues.
Windswept Fields, 9 x 12" plein air oil on linen/birch. November 13, 2017.

 And a little study of the fields and woods to the north. The colors at dusk.
5 x 7" plein air oil on linen/birch. November 13, 2017.

 A sunshine day in a field of hay.
7 x 10" plein air oil on linen/birch. November 18, 2017.

A day to give thanks. One among many.
7 x 10" plein air oil on linen/birch. November 23, 2017.

Despite a stretch of warmer days, a little bit of ice remained on the shaded edge of the pond.
9 x 12" plein air oil on linen/birch. November 27, 2017.

 After keeping out during most of the deer hunting season, it was good to get back down amongst the trees again.
7 x 10" plein air oil on linen/birch. November 28, 2017.

One more painting for the month of November. I knew just where I wanted to paint, and went there directly, but I didn't stay there after all. The old draw of the woods kept me wandering and meandering through the trees and up and down hill until the shadows were long and there was only just enough daylight left for an attempt at capturing this little group of birch trees.
10 x 8" plein air oil on linen/birch. November 30, 2017.