Showing posts with label flowers. Show all posts
Showing posts with label flowers. Show all posts

Friday, June 7, 2024

Spring Studies

Spring, or its lookalike, came early this year. The snow was missed by those of us who love winter, and in any case its lack was disorienting, like a whole season of the year had disappeared.
Still, there was beauty to be found even in the prolonged season of mud. I didn't get out painting as much as I'd hoped and would have liked, dealing with a particularly exhausting and painful bout of illness; when I could, it did my heart good, focusing on the light and the slowly awakening landscape.

February 15,16, 2024. 10 x 10" plein air oil on linen/birch.
Evening light in a birch grove. Patchy snow lingered between the tree trunks, and the sky was clear and bright. When I came back the next evening to make minor adjustments, the snow had already all but disappeared.


February 20, 2024. 8 x 6" plein air oil on linen/birch.
February's moon is called the "snow moon", but there was more mud than snow this year. I painted this small study one evening standing in a pasture, as the waxing moon rose in the eastern sky and the afterglow of sunset cast a soft warm light on the landscape.



February 24, 2024. 7 x 10" plein air oil on linen/birch.
Snow! If only a dusting of it. It settled on the dirt field-road and between the stalks of corn and stems of the dry grasses in the frozen fields. The moon sank towards the western horizon, fading in glory as the sun rose in the east.


February 24, 2024. 7 x 10" plein air oil on linen/birch.
In the evening I watched the eastern sky, anticipating the reappearance of the moon. A bank of clouds hid it for awhile, as the light faded and the colors of the landscape began to change in the dusk. I worked quickly, trying to catch the subtle hues and the lines of the fields curving along the hillside. And then a patch of pink above the clouds and there it was, the glowing face of the moon.


February 28,29 2024. 12 x 16" oil on linen/birch.
Buds and blossoms of very early spring. The flowers of Silver Maple, buds of elm and poplar, and twigs of birch showing that winter was coming to a close.


March 13, 2024. 7 x 5" plein air oil on linen/birch. Sold.
A warm day in mid-March, the air filled with the songs of blackbirds and robins, and a hint of green under the dry grass and weeds of the fields and pasture.


March 15, 2024. 8 x 10" plein air oil on linen/birch.
I had begun a large studio painting from a sketch I had done in this place a few weeks prior. Wanting some more information I came back with my paints to take some more time to study the light and color that had first captured my attention and admiration.


March 19, 2024. 5 x 7" plein air oil on linen/birch.
More studying of that beautiful March light! The shadow of the hill stretched out and began to envelop the trees of the woods, as a few clouds to the east turned purple and pink in the light of the setting sun.


March 22, 2024. 8 x 10" plein air oil on linen/birch.
Winter makes a flying visit once more, blanketing the landscape in snow. The dark clouds began to break up as the day drew to a close, the low sun peeked through and illuminated the hilltop.


April 4, 2024. 5 x 7" plein air oil on linen/birch.
A small study just after sunset. One more ode to snow. The landscape looked wintry, but sounded anything but, the dark trees of the woods filled with birdsong at the end of the day.


April 9, 23, 2024. 11 x 14" plein air oil on linen/birch.
The view from Mount Charity, along the Mississippi River in southeastern Minnesota.
Sometimes it does me good to climb the many steps to this spot, to sit on the rocks, sort out my thoughts, pour out my heart to my Maker, and watch the clouds over the river while eagles and vultures wheel and glide above and below me, riding the air currents around the bluffs.
 I started this one in early April, and returned once again later on, when the trees were beginning to bud, to bring the painting a little closer to what I wanted to share.


April 18, 2024. 8 x 10" plein air oil on linen/birch.
A rough little study overlooking the valley, with trees budding on the hills and clouds moving across the spring sky.


April 24, 2024. 10 x 10" plein air oil on linen/birch.
On this afternoon I walked out to the orchard, sat in the grass in the warm sunshine, and feasted my eyes on the scene: twisting and draping branches festooned in flowers, the pear trees in full bloom.


April 30, 2024. 8 x 10" plein air oil on linen/birch.
Another study of pear blossoms, this time under a sky heavy with clouds. The grass was growing lush and a few dandelions showed their faces among the green.


May 1, 2024. 8 x 10" plein air oil on linen/birch.
A return to a favorite spot. The trees were budding, and below the spring greens were beginning to grow up through last year's collection of oak and maple leaves, winter-bleached, that carpeted the forest floor.


Early May, 2024, 11 x 14" oil on linen/birch.
A collection of blooms that graced my kitchen shelf. I pecked away at this one over a few days, until the flowers drooped and faded. Dandelions, wild plum and crabapple twigs, violets from the yard, and one pink tulip.


May 8, 14, 2024. 7 x 10" plein air oil on linen/birch.
After the pears come the apple blossoms. Glorious! Walking out towards the orchard, the air became more and more fragrant. This one started out as a quick study of the blooming branches as the late light fell on them. I returned again nearly a week later to work on the grass and tree trunks, neglected while I rushed to capture the flowers and too soon encompassed by the shadows of evening. I love this place.


May 8, 2024. 10 x 12" plein air oil on linen/birch.
O Dandelions. There's nothing like that time in May when they reign supreme in the yard, gardens, and fields. I plopped myself down among them one afternoon and took it all in, with the leaning figure of the old summer kitchen as a backdrop.


May 11, 2024. 5 x 7" plein air oil on linen/birch.
This happy little cluster of dandelions was growing on the grounds of the Bell Museum in Saint Paul, Minnesota. I joined a great group of painters from the Outdoor Painters of Minnesota, and whomever else cared to drop in, and painted the morning. I got stuck in traffic on my way and dropped in with only 30 minutes to paint! But it was a happy half hour with my little yellow sweet-smelling models at my feet.


May 11, 2024. 8 x 10" plein air oil on linen/birch.
It was a day for looking down, I guess! Wandering through the woods in Willow River State Park I decided to study this small clump of violets. I never realize how much flowers and leaves move until I try to paint them and they don't hold still. Whether the painting turns out or not, I have a greater appreciation for the form and design of these small wonders.


May 13, 2024. 8 x 10" plein air oil on linen/birch.
Pasture study. I spent time this evening wandering - checking on all the growing things from the funny little mayapples to mushrooms, battling my way through the thorns of invasive roses, and finally stopping to study green and light on this hazy night, happy to be feeling well enough to be out in it.


May 14, 15, 2024. 12 x 10" plein air oil on linen/birch.
A clump of dandelions snatched before the mower could cut them down. I probably should have taken a moment to arrange them, but I didn't think of it. I just admired their brightness as the sunshine from the window hit the blooms, and the wild unruliness of the leaves and stems unceremoniously stuffed into a jar of water.


May 15, 2024. 5 x 7" plein air oil on linen/birch.

A little study from the woods. These north-facing hillsides take a little longer to wake up from their winter sleep, and I love walking there with the thick leaf-litter underfoot and the tall trees around me.


May 18, 2024. 8 x 10" plein air oil on linen/birch.
Cloud-watching. Just a quiet evening, sitting on the ground along the hay fields, the grasses all astir with the chatter of blackbirds and bobolinks sorting out their personal affairs.


May 20, 2024. 9 x 12" plein air oil on linen/birch.
Dandelions, once again. How I love them all going to seed, catching the light, sending out a small cloud of seeds with every gust of wind. I knew this was my last chance to capture them in all their glory; the rain and wind were on the way and would not wait. I loved the shifts of color in the clouds, and the sunshine and shadow took turns transforming the scene as I worked.


May 22, 2024. 5 x 7" plein air oil on linen/birch.
The light on this evening was so rich and delicious, I just wanted to drink it in. The trees of the woods caught its warmth and cast their shadows, and the tall grass glowed.

May 22, 2024. 5 x 7" plein air oil on linen/birch.
And then, the moon. A dash to catch the soft colors of the farmstead in the afterglow of sunset with the moon rising beyond it.


May 22,23, 2024. 14 x 18" plein air oil on linen/birch.
Marking the season, I kept my tradition of gathering in some of the blossom-filled branches of my grandma's Bridal Wreath spirea bushes. I first painted them by her bedside, keeping her company and caring for her, and I've painted them every year since she went Home. Much love is bound up with these works.


May 27, 2024. 6 x 8" plein air oil on linen/birch.
Another just-after-sunset study. The fields were so green, and even the weeds are beautiful in May.


May 28, 2024. 10 x 10" plein air oil on linen/birch.
This was a day of changing weather, sunshine and showers alternating throughout. I thought the rain had finished and walked out into the fields in my rubber boots looking for clouds. They did not disappoint. The grasses of the hay fields were rich in their variety of subtle color, and I loved the glimpse of the bluffs beyond the trees of the woods. I glanced behind me and saw a dark mass of clouds moving in again. The birdsongs quieted and the dogs looked at me reproachfully as the drops began to fall once more. But it didn't last long, and the reward was a show of rainbows that I would have missed if I'd stayed indoors.

So long, Spring! I'm glad to have known you.

Friday, June 1, 2018

The Month of May

May 4 - spring in the woods. The browns of last year's fallen leaves broken up by the greens of Dutchman's Breeches and wild ramps.
May 4, 2018, 6 x 8" plein air oil on linen/birch.


May 6 - spring paint-day at the farm. A great group of artists came out to the farm to paint. It was so fun for me to see some old painting friends and meet some new ones, and to see this place I love portrayed through the eyes and art of others.
This is the painting that I did towards the end of the day. The fields were getting so green, and the trees of the woods were leafing out.
May 6, 2018, 10 x 7" plein air oil on linen/birch.


May 9 - an attempt. Apple twigs, leaves, and blossoms in one of my favorite pieces of pottery. This was so much more difficult than I anticipated. I hope to try again next year.
May 9-10, 2018, apple blossoms. 16 x 20" oil on linen/birch.


May 11 - another attempt. These cuttings off the apple trees were still in bud stage, and I painted them in an old "Atlas" canning jar. A very fun challenge.
May 11, apple buds in an Atlas mason jar. 12 x 10" oil on linen/birch.


May 14 - A rainy Monday. The woods were turning all sorts of green, and the wet weather brought out the deeper colors of the bark of the trees.
May 14, 2018, 10 x 8" plein air oil on linen/birch.



May 15th - I always like to see how the hickory leaves unfurl from their flower-like buds in the spring.
HIckory Twigs. May 15, 2018, 8 x 8" alla prima oil on linen/birch.
In the evening I went out in the fields. The trees and the fields were becoming greener, but hadn't yet put on their summer colors. The shadows on the bluffs looked blue as the light faded. 
May 15, 2018, 5 x 7" plein air oil on linen/birch.

May 17th - I started this one late, after spending time working in the orchard clearing brush from between the rows of trees. The light was so pretty that time of day, but so fleeting! I didn't have enough time to finish and I ended up going out again a few days later, May 22, to put the finishing details in. The blooms were a bit sporadic this spring, the result of a very heavy bloom last year which was the result of a late frost that took out much of the crop the year before! By this time the grass was growing tall and green, and the air was filled with the scent of the blossoms and the buzzing of the bees hard at work.
May 17 & 22, 2018, 7 x 10" plein air oil on linen/birch.


May 19 - The weather turned unusually cool this evening as I went out to try to capture a little of the dandelion-filled fields. A north wind blew and the sky clouded over.
May 19, 2018, 12 x 9" plein air oil on linen/birch.


May 24 - Cloud study. This was one of those days when I just didn't have enough time to do what I wanted on location. But I had a start, painted in the bones so to speak, and finished it up at home that night.
May 24, 2018, 8 x 10" alla prima oil on linen/birch.


May 26 - Hot, humid weather. In the evening I went down towards the woods and set up in the shadows of the trees. The light from the sinking sun shone on the tops of the trees on the edge of the woods and lit one of the little trees that grow along the fence that separates pastures.

May 26, 2018, 6 x 8" plein air oil on linen/birch.


May 29 - Some beautiful blooms off of the bridal wreath bushes that grow by the house. I love the expressive shapes of the draping branches.
May 29, 2018, 11 x 14"  alla prima oil on linen/birch.


May 31 - One more chance to paint the dandelions. A quick little study before the darkness fell.
May 31, 2018, 5 x 7" plein air oil on linen/birch.

Sunday, July 16, 2017

May Flowers

These two little paintings were done "alla prima" - all in one go, similar to how I do a plein air painting, but these were done indoors instead.
The first was a sweet, fragrant little bouquet of flowers picked in the yard the day before on Mothers Day: Lily of the Valley, Jacob's Ladder, Creeping Charlie, violets, and a little sprig of a Bridal Wreath bush that I caught in the door on my way in - oops!

May Flowers, 8 x 6" alla prima oil on linen/hardboard. May 15, 2017. sold

The second was done later in the month when the bridal wreath bushes were in full bloom. (This time I cut some intentionally!)

Bridal Wreath, 7 x 10" alla prima oil on linen/birch. May 30, 2017. sold
 These both went to new homes yesterday at the Stockholm Art Fair in pretty little Stockholm, Wisconsin. I hope they bring as much joy in their new homes as they did to me.

Thursday, April 20, 2017

April in the Woods

A couple of recent paintings, enjoying and exploring the subtleties of April in the woods.
April 13, 2017. 6 x 8 inch, plein air, oil on linen/birch
The first was done on a north-facing side of the bluff. The trees grow tall out of the steep hillside, and large, moss-covered boulders mark the landscape. Delicate hepatica flowers bloom among last year's fallen leaves.

April 17, 2017. 10 x 8 inch, plein air, oil on linen/birch
 A few days later.
This spot is on the western end of the same bluff, and already the low-growing shrubs and bushes were leafing out, making a soft green haze over the forest floor. I loved working out how to convey the differing hues and textures of the spring-green foliage, and the thick clinging moss that grows on some of these old poplar trees.


Wednesday, September 23, 2015

September Days

This is a beautiful, colorful time of year. Yesterday I went out to paint, but first spent some time just wandering, and enjoying all the wildflowers - asters, goldenrod, Queen Anne's lace, black-eyed susans, and a few late-blooming bird's-foot-trefoil and clover blossoms. And watching the butterflies.



Then time to paint.
Sketched in...
The trees are only beginning to hint at the colors they will turn, but the sumac and grape leaves are showing bright hues of reds, oranges, and yellow-greens.
Color time!

Completed.

Roadside Glory, 9 x 12-inch plein air oil on linen/hardboard 


Today's painting:
The sky threatened rain, but it stayed to the west and we only got clouds and a little wind.

Very rough sketch- doesn't look like much at this stage!
The cows were busy munching, and working their way from one end of the pasture to the other and back again. I did a very quick sketch of their shapes before they moved on. By the time I was ready to work on them again, they were back to nearly the same spot.

Blocking in the greens and beginning to really notice all the subtleties of the field grass.

 

More color and texture in the grasses and trees:

 Finished up with the blue-gray clouds, and black and white cows.

Grazing the East Pasture, 11 x 14-inch plein air oil on linen/hardboard.